Close Menu
    Facebook Instagram LinkedIn
    • Subscribe
    • Advertise
    • Contact Us
    Indigenous art. Indigenous perspectives.
    Facebook Instagram LinkedIn Pinterest
    First American Art Magazine
    • Home
    • About Us
      • Press
      • Distribution
      • Sponsors
      • Contact Us
      • Refund and Returns Policy
    • Current Issue
    • Past Issues
      • Archives
      • FAAM Index
    • Content
      • Articles
      • Blog
      • Reference
        • Acronyms
        • Art Terms
        • Artist and Scholar List: A–F
        • Museums, Galleries, and Other Art Venues
        • Timeline of Indigenous Art History of the Americas
    • Calendar
      • Submit an Event
    • Submissions
      • FAAM Style Guide
    • Advertise
    • Shop
    0 Shopping Cart
    First American Art Magazine
    Home»FAAM Index: J

    FAAM Index: J

    left A | B | C | D | E | F | G | H | I | J | K | L | M
    N | O | P | Q | R | S | T | U | V | W | X, Y, Z & #

    J

    Jaar, Alfredo

    • Jaar, Alfredo. This Is Not America (A Logo for America), FAAM no. 0 (Spring 2013): 11 | digital

    Jackinsky, Nadia: see Jackinsky-Sethi, Nadia

    Jackinsky-Sethi, Nadia

    • Jackinsky, Nadia: “Aiviq and Nanuq: Sea Horse and Sea Bear of the Arctic. Anchorage: Anchorage Museum [Review].” FAAM no. 22 (Spring 2019): 80–81 | print | digital
    • Jackinsky-Sethi, Nadia. “Dena’inaq’ Huch’ulyeshi: The Dena’ina Way of Living. Anchorage: The Anchorage Museum [Review].” FAAM no. 2 (Spring 2014): 60–62 | print | digital
    • Jackinsky, Nadia. “Decolonizing Alaska. Homer: Bunnell Street Arts Center [Review].” FAAM no. 14 (Spring 2017): 70–71 | print | digital
    • Jackinsky, Nadia. “Ronald Senungetuk: Iñupiaq Interdisciplinary Artist and Educator.” 13 (Winter 2016): 58–62
    • Jackinsky, Nadia. “Teri Rofkar [Memorial].” 14 (Spring 2017): 89
    • Jackinsky-Sethi, Nadia. “Dena’inaq’ Huch’ulyeshi: The Dena’ina Way of Living. Anchorage: The Anchorage Museum [Review].” FAAM no. 2 (Spring 2014): 60–62 | print | digital
    • Jackinsky-Sethi, Nadia. “Fish Skin as a Textile Material in Alaska Native Cultures.” FAAM no. 5 (Winter 2014): 40–47 | print | digital

    Jackson, Troy

    • Boney Jr., Roy. “Troy Jackson: Ceramic Sculptor.” FAAM no. 4 (Fall 2014): 32–37 | print | digital

    Jackson, Zig

    • Johnson, Annika, and Tyquiengco, Marina. “Contemporary Native Photographers and the Edward Curtis Legacy: Zig Jackson, Wendy Red Star, Will Wilson. Portland: Portland Art Museum [Review.” 11 (Summer 2016): 74–76.

    Jacobs, Joseph R.

    • Meredith, America. “Joseph R. Jacobs, CM, DLitt [Memorial].” 8 (Fall 2015): 107

    Jagua

    • Elmore, Vanessa. “Let It Sink In: The Art of Jagua.” FAAM no. 4 (Fall 2014): 64–69 | print | digital
    • Meredith, America. “Jagua Tips.” FAAM no. 4 (Fall 2014): 67 | print | digital

    James, Tom, and Mary Raymond

    • Eldred, Michole. “The Tom and Mary James/Raymond James Financial Art Collection.” 13 (Winter 2016): 38–43

    James-Perry, Elizabeth

    • Kramer, Karen. “Elizabeth James-Perry: Aquinnah Wampanoag Wampum Artist and Weaver.” 14 (Spring 2017): 46–51

    Jemez Pueblo

    • Ebelacker, Jamelyn. “David Lee Pecos [Memorial].” FAAM no. 5 (Winter 2014): 71 | print | digital
    • Smith, Matthew Ryan. “Cliff Fragua: Jemez Pueblo Sculptor.” 10 (Spring 2016): 54–59
    • Meredith, America. “Ascending New Heights: Four Artists to Watch.” 8 (Fall 2015): 52–57

    Jewelry

    • Belarde-Lewis, Miranda. “Colin Coonsis: Zuni Jeweler and Lapidarian.” 12 (Fall 2016): 62–67.
    • Bordeaux, Mary. “Kevin Pourier: Oglala Lakota Buffalo Horn Carver and Jeweler.” FAAM no. 4 (Fall 2014): 44–49 | print | digital
    • Cook, Michele. “Keri Ataumbi: Kiowa-Comanche Jeweler and Painter.” 7 (Sum.er 2015): 44–49.
    • Diaz, RoseMary. “Decontie and Brown: Penobscot Jewelry and Fashion Designers.” 14 (Spring 2017): 16–18.
    • Herndon, Mark. “Nelda Schrupp: Pheasant Rump Nakota Jeweler and Silversmith.” 12 (Fall 2016): 74–79.
    • Kramer, Karen. “Elizabeth James-Perry: Aquinnah Wampanoag Wampum Artist and Weaver.” 14 (Spring 2017): 46–51.
    • McKinnon, Heidi. “Mapuche Silver: Dreams, Tears, and the Work of a Retrafe.” FAAM no. 5 (Winter 2014): 48–55 | print | digital
    • Meredith, America. “Ascending New Heights: Four Artists to Watch.” 8 (Fall 2015): 52–57.
    • Merz-Edwards, Jean. “Hopi Silver, Hopi Gold: 12 Contemporary Jewelers [Written by Zena Pearlstone].” 7 (Summer 2015): 77–78.
    • Potter, Bryn Barabas. “Clint McKay: Dry Creek Pomo-Wappo-Wintun Basket Weaver and Jeweler.” 14 (Spring 2017): 64–69.
    • Smith, Matthew Ryan. “Visual Artist and Designer: Jodi Webster.” 12 (Fall 2016): 22–23.

    Jim, Damien

    • Smith, Matthew Ryan. “Damian Jim.” 13 (Winter 2016): 18–21.

    Joan Mitchell Foundation

    • Baca, Kim. “Sharing His Legacy: James Luna Donates His Archives to IAIA.” FAAM no. 4 (Fall 2014): 70–73 | print | digital

    Johnson, Annika

    • Johnson, Annika, and Tyquiengco, Marina. “Contemporary Native Photographers and the Edward Curtis Legacy: Zig Jackson, Wendy Red Star, Will Wilson. Portland: Portland Art Museum [Review.” 11 (Summer 2016): 74–76.

    Johnson, Biskakone Greg

    • Southall, Neebinnaukzhik. “Biskakone Greg Johnson: Lac du Flambeau Chippewa Interdisciplinary Artist.” FAAM no. 3 (Summer 2014), 22–27 | print | digital

    Johnson, Terrol Dew

    • Meredith, America. “Terrol Dew Johnson: Tohono O’odham Basket Weaver and Sculptor.” 14 (Spring 2016): 52–57

    Jones, Tom

    • Meredith, America. “Tom Jones: Ho-Chunk Photographer.” FAAM no. 0 (Spring 2013): 24–29 | digital

    Journee, Aurelie

    • Journee, Aurelie. “You Are On Indigenous Land/ in.dig.e.nize.” 14 (Spring 2017): 73–74.

    Journalism

    • Melero-Moose, Melissa. “How Not to Write an Article on Native Artists: Advice to Journalist X.” FAAM no. 1 (Fall 2013): 14 | print | digital

    Judging

    • Meredith, America. “The Challenges of Judging Native Art.” FAAM no. 4 (Fall 2014): 60–63 | print | digital

    Julie Buffalohead: Uncommon Stories

    • Riddle, Mason. “Julie Buffalohead: Uncommon Stories. St. Paul: Bockley Gallery [Review].” FAAM no. 5 (Winter 2014): 66 | print | digital

    Jungen, Brian

    • Pratt, Stephanie. “Contemporary Native American Art in Britain, 1980s to Today.” 12 (Fall 2016): 48–55.
    Peabody Essex Museum: join the 2026 long-term Native American Fellowship program
    Weaving Words, Weaving Worlds
    Sign up for FAAM Art Beat newsletter
    Sign up for FAAM Art Beat newsletter
    Cherokee Language Publishing
    Indigenous Editors Association
    Indigenous Editors Association
    Mission Statement

    First American Art Magazine, LLC (FAAM), broadens understanding of art by Indigenous peoples of the Americas from tribal communities to the global art world.

    Vision Statement

    First American Art Magazine, LLC, strives to foster historical resilience, cross-cultural understanding, and reintegration of humans into the natural world.

    turtleshell rattle by Tommy Wildcat

    First American Art Magazine's offices are located within the ancestral homelands of the Wichita and Affiliated Tribes and the historic territories of the Muscogee Nation and the Seminole Nation of Oklahoma.

    Contact Us

    First American Art Magazine
    3334 W. Main St. #442
    Norman, OK 73072
    (405) 561-7655

    info@firstamerican.art
    ads@firstamerican.art
    circulation@firstamerican.art

    Site Admin

    © 2025 First American Art Magazine, LLC. All rights reserved.

    Type above and press Enter to search. Press Esc to cancel.