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    FAAM Index: C

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    C

    Caddo

    • Southall, Neebinnaukzhik. “Chad Earles: Caddo Visual Communicator.” 7 (Summer 2015): 14–15
    • Meredith, America. “The Artistic Legacy of Spiro Mounds.” 15 (Summer 2017): 18–27.
    • Pahdopony, Juanita. “Chase Kahwinhut Earles: Ancestral Caddo Pottery.” 11 (Summer 2016): 73–74

    Cahuilla

    • Potter, Bryn Barabas. “Cahuilla Basketry: An Enduring Legacy.” FAAM no. 4 (Fall 2014): 50–59 | print | digital

    Cain, Corinne

    • Corinne, Cain. “Everything You Wanted to Know about Pricing and Appraising Artwork, but Were Afraid to Ask.” FAAM no. 1 (Fall 2013): 74–75 | print | digital

    Calderin, Jay

    • Meredith, America. “Native Fashion Now: North American Indian Style [Review of book edited by Karen Kramer].” 10 (Spring 2015): 83–84.

    California

    • Potter, Bryn Barabas. “Cahuilla Basketry: An Enduring Legacy.” FAAM no. 4 (Fall 2014): 50–59 | print | digital

    California Contemporary Native Art

    • Melero-Moose, Melissa. “California Contemporary Native Art. Sacramento: California State Capitol Museum [Review].” FAAM no. 1 (Fall 2013): 65–66 | print | digital

    California State Capitol Museum

    • Melero-Moose, Melissa. “California Contemporary Native Art. Sacramento: California State Capitol Museum [Review].” FAAM no. 1 (Fall 2013): 65–66 | print | digital

    Callañaupa Alverez, Nilda

    • Golar, Staci. “Nilda Callañaupa Alverez: Quechua Textile Artist.” 7 (Summer 2015): 50–55

    Cantley, Janet

    • Tiger, Yvonne N. “Beyond Geronimo: The Apache Experience [Review of book by Janet Cantley].” FAAM no. 1 (Fall 2013): 70–71 | print | digital

    Caribbean

    • Elmore, Vanessa. “Let It Sink In: The Art of Jagua.” FAAM no. 4 (Fall 2014): 64–67 | print | digital

    Carving, Antler, Bone, or Shell

    • Bordeaux, Mary. “Kevin Pourier: Oglala Lakota Buffalo Horn Carver and Jeweler.” FAAM no. 4 (Fall 2014): 44–49 | print | digital

    Carving, Wood

    • Southall, Neebinnaukzhik. “The Making of a Designer: Mark Rutledge.” FAAM no. 4 (Fall 2014): 24–25 | print | digital
    • Willard, Tania. “Seven Directions.” FAAM no. 4 (Fall 2014): 22–23 | print | digital
    • Young, India. “Adasla: The Movement of the Hands. Victoria: University of Victoria: Legacy Gallery [Review].” FAAM no. 4 (Fall 2014): 82–84 | print | digital

    Catawba

    • Eldred, Michole. “The Talent and Traditions of Catawba Potters.” 7 (Summer 2015): 22–28.

    Catholicism, Roman

    • Meredith, America. “Alex Seowtewa [Memorial].” FAAM no. 4 (Fall 2014): 90–91 | print | digital
    • Meredith, America. “Cuzco School: Andean Visions in Oils and Gold.” FAAM no. 2 (Spring 2014): 55–59 | print | digital

    Cays, Rosa

    • Cays, Rosa. “Luis Gonzalez Palma: Mestizo Photographer.” FAAM no. 10 (Spring 2016): 60–65 | print | digital

    Center of Southwest Studies, Fort Lewis College

    • Perala-Hunt, Linda. “One Bead at a Time: The Artistry of Orlando Dugi and Kenneth Williams. Durango, CO: Center of Southwest Studies, Fort Lewis College [Review].” FAAM no. 5 (Winter 2014): 64 | print | digital

    Centro Cultural Itchimbía, Quito

    • Meredith, America. “V Indigenous Intercontinental Biennial of Art. Quito, Ecuador: Centro Cultural Itchimbía [Report].” FAAM no. 5 (Winter 2014): 69 | print | digital

    Ceramics

    • Baca Smith, Kim. “Christine Nofchissey McHorse: Navajo Ceramic Artist and Sculptor.” 8 (Fall 2015): 80–85
    • Boney Jr., Roy. “Troy Jackson: Cherokee Ceramic Sculptor.” FAAM no. 4 (Fall 2014): 32–37 | print | digital
    • Diaz, RoseMary. “Diego Romero: Cochiti Potter.” 9 (Winter 2015): 68–73
    • Diaz, RoseMary. “Jennifer Moquino: Santa Clara Ceramic Artist.” 12 (Fall 2016): 68–73
    • Eldred, Michole. “The Talent and Traditions of Catawba Potters.” 7 (Summer 2015): 22–28.
    • Meredith, America. “Jane Osti: Cherokee Ceramic Artist.” 11 (Summer 2016): 66–71
    • Meredith, America. “Ascending New Heights: Four Artists to Watch.” 8 (Fall 2015): 52–57
    • Meredith, America. “Ascending New Heights: Four Artists to Watch.” 8 (Fall 2015): 52–57.
    • Meredith, America. “Fresh Perspectives: Three Artists You Should Know.” 12 (Fall 2016): 56–59.
    • Neil-Binion, Denise. “Anita Fields: Osage-Muscogee Ceramic Artist.” FAAM no. 0 (Spring 2013): 18-23 | digital
    • Pahdopony, Juanita. “Chase Kahwinhut Earles: Ancestral Caddo Pottery.” 11 (Summer 2016): 73–74.
    • Short, Cathy. “Mata Ortiz Pottery.” 11 (Summer 2016): 28–33.

    Chacon, Nani

    • Fricke, Suzanne Newman. “Nanibah ‘Nani’ Chacon: Diné-Xicana Painter.” FAAM no. 1 (Fall 2013): 16–21 | print | digital

    Chaddlesone, Sherman

    • Mikkanen, Arvo. “Sherman Chaddlesone [Memorial].” FAAM no. 2 (Summer 2014): 78 | print | digital

    Chandler, Deborah

    • Merz-Edwards, Jean. “Traditional Weavers of Guatemala: Their Stories, Their Lives [Review of book by Deborah Chandler and Teresa Cordon].” 10 (Spring 2015): 84–85.

    Cherokee

    • Boney Jr., Roy. “Troy Jackson: Cherokee Ceramic Sculptor.” FAAM no. 4 (Fall 2014): 32–37 | print | digital
    • Boney Jr., Roy. “Lloyd Kiva New: His Cherokee Roots and Legacy in Oklahoma.” 12 (Fall 2016): 40–45.
    • Dowell, JoKay. “Shan Goshorn: Eastern Band Cherokee Interdisciplinary Artist.” FAAM no. 1 (Fall 2013): 22–27 | print | digital
    • McCoy Jr., Daniel. “Joan Hill: Muscogee-Cherokee Painter.” 9 (Winter 2015): 50–55.
    • Meredith, America. “Jane Osti: Cherokee Ceramic Artist.” 11 (Summer 2016): 66–71.
    • Meredith, Mary Ellen. “Honor and Revival: Cherokee National Treasures.” 15 (Summer 2017): 36–39.
    • Smith, Matthew Ryan. “Santee Frazier: Cherokee Writer, Poet, and Educator.” 11 (Summer 2016): 86–88.
    • Meredith, America. “Fresh Perspectives: Three Artists You Should Know.” 12 (Fall 2016): 56–59.

    Cheyenne

    • Greeves, Teri. “Frank Pipe Woman Sheridan (Southern Cheyenne) [Memorial].” FAAM no. 4 (Fall 2014): 91 | print | digital

    Chicana/Chicane/Chicano

    • Fricke, Suzanne Newman. “Nanibah ‘Nani’ Chacon: Diné-Xicana Painter.” FAAM no. 1 (Fall 2013): 16–21 | print | digital

    Chickasaw

    • Meredith, America. “Erin Shaw: Chickasaw-Choctaw Painter.” FAAM no. 0 (Spring 2013): 30–35 | digital
    • Meredith, America. “Brent Greenwood: Chickasaw-Ponca Painter.” 8 (Fall 2015): 68–73.
    • Monks, Vicki. “Margaret Roach Wheeler: Chickasaw Textile Artist.” 13 (Winter 2016): 70–75

    Chile

    • McKinnon, Heidi. “Mapuche Silver: Dreams, Tears, and the Work of a Retrafe.” FAAM no. 5 (Winter 2014): 48–55 | print | digital
    • Meredith, America. “The Cuzco School: Andean Visions in Oil and Gold.” FAAM no. 2 (Spring 2014): 52–59 | print | digital
    • Sense, Sarah. “Arte Textil Contemporáneo. Santiago: Museo Nacional de Bellas Artes [Review].” FAAM no. 0 (Spring 2013): 62 | digital

    Chilkat River

    • Hagen, John. “Chilkat River Study [Photo Essay].” FAAM no. 2 (Spring 2014): 76–77 | print | digital

    China

    • Golar, Staci. “Travels to China: Artists Sustain Traditions Using the Universal Language of Art.” FAAM no. 2 (Spring 2014): 48–51 | print | digital

    Choctaw

    • Meredith, America. “Erin Shaw: Chickasaw-Choctaw Painter.” FAAM no. 0 (Spring 2013): 30–35 | digital
    • Diaz, RoseMary. “Marcus Amerman: Choctaw Beadwork Artist.” 15 (Summer 2017): 46–51
    • Meredith, America. “Fresh Perspectives: Three Artists You Should Know.” 12 (Fall 2016): 56–59

    Church, Kelly

    • Church, Kelly. “Before and After the Horizon: Anishinaabe of the Great Lakes. New York: National Museum of the American Indian George Gustav Heye Center [Review].” FAAM no. 4 (Fall 2014): 77–78 | print | digital
    • Church, Kelly. “Seven Directions: Kelly Church.” FAAM no. 5 (Winter 2014): 12–13 | print | digital
    • Church, Kelly. “Sustaining Black Ash Traditions.” FAAM no. 2 (Spring 2014): 10  | print | digital

    Cirque du Soleil International, Montreal

    • Meier, Rhonda. “Storytelling: The Contemporary Native Art Biennial, 2nd edition. Montreal: Art Mûr, Stewart Hall Art Gallery, and Cirque du Soleil International Headquarters [Review].” FAAM no. 4 (Fall 2014): 75–76 | print | digital

    Circum-Caribbean

    • Elmore, Vanessa. “Let It Sink In: The Art of Jagua.” FAAM no. 4 (Fall 2014): 64–67 | print | digital

    Clark, Jessica

    • Fields, Nancy Strickland. “Jessica Clark: Lumbee Painter.” FAAM no. 5 (Winter 2014): 16–21 | print | digital

    Claxton, Dana

    • Bell, Gloria. “Indian Candy. Vancouver: Winsor Gallery [Review].” FAAM no. 2 (Spring 2014): 67–68 | print | digital

    Clifford, Terrance

    • Clifford, Terrance, and Nina Sanders. “Agents of Beauty: The Next Wave of Native Fashion.” FAAM no. 18 (Spring 2018): 28–35 | print | digital

    Cochiti Pueblo

    • Diaz, RoseMary. “Pilar Agoyo: Ohkay Owingeh-Cochiti-Kewa Pueblo Fashion Designer.” FAAM no. 4 (Fall 2014): 26–31 | print | digital
    • Ebelacker, Jamelyn. “David Lee Pecos [Memorial].” FAAM no. 5 (Winter 2014): 71 | print | digital
    • Meredith, America. “Ascending New Heights: Four Artists to Watch.” 8 (Fall 2015): 52–57

    Cody, Melissa

    • Golar, Staci. “Travels to China: Artists Sustain Traditions Using the Universal Language of Art.” FAAM no. 2 (Spring 2014): 48–51 | print | digital

    Cody, Radmilla

    • Gómez, Reid. “Radmilla Cody: Navajo Singer and Activist.” FAAM no. 2 (Spring 2014): 18–23 | print | digital

    Coffin, Barry

    • Meredith, America. “Barry Coffin (Memorial).” 14 (Spring 2017): 87

    Colleges and universities

    • Fricke, Suzanne Newman. “Hemisphere: Visual Cultures of the Americas, Volume VI [Review of journal edited by India Young].” FAAM no. 2 (Spring 2014): 71 | print | digital
    • Southall, Neebinnaukzhik. “Design in Academic Settings.” FAAM no. 2 (Spring 2014): 12–13 | print | digital

    Colombia

    • Elmore, Vanessa. “Let It Sink In: The Art of Jagua.” FAAM no. 4 (Fall 2014): 64–67 | print | digital

    Colorado River

    • Meredith, America. “Colorado River Geoglyphs: Guardians of a Sacred Landscape.” FAAM no. 1 (Fall 2013): 56–61 | print | digital

    Comanche

    • Cook, Michele. “Keri Ataumbi: Kiowa-Comanche Jeweler and Painter.” 7 (Summer 2015): 44–49
    • Fricke, Suzanne Newman. “Alex J. Pena: Comanche-Pawnee-San Ildefonso Printmaker.” 6 (Spring 2015): 62–67

    Comics

    • McCoy Jr., Daniel. “Inner-City Southwestern Disenchantment [Comic].” FAAM no. 1 (Fall 2013): 78–79 | print | digital
    • Boney Jr., Roy. “Graphic Natives: The Indigenous Narratives Collective.” FAAM no. 3 (Summer 2014): 42–47 | print | digital

    Community Mural Project

    • Willard, Tania. “Seven Directions.” FAAM no. 4 (Fall 2014): 22–23 | print | digital

    Conservation: see Environment

    Conservation, Art

    • Ryker-Crawford, Jessie. “Art and Object Conservation: Caring for Featherwork.” FAAM no. 2 (Spring 2014): 74–75 | print | digital

    Canoes

    • Ellingburg, Misty. “Opening the Water Highway: Tribal Canoe Journeys as an Honor Song for American Indian People.” 7 (Summer 2015): 16–21

    Caruso, Laura

    • Merz-Edwards, Jean. “Art in Motion: Native American Explorations of Time, Place, and Thought [Review of book edited by John Lukavic and Laura Caruso].” 13 (Winter 2016): 88.

    Contemporary Native Art Biennial

    • Meier, Rhonda. “Storytelling: The Contemporary Native Art Biennial, 2nd edition. Art Mûr, Stewart Hall Art Gallery, and Cirque du Soleil International Headquarters [Review].” FAAM no. 4 (Fall 2014): 75–76 | print | digital

    Cook, Michele

    • Cook, Michele. “Keri Ataumbi: Kiowa-Comanche Jeweler and Painter.” FAAM no. 7 (Summer 2015): 44–49 | print | digital

    Cooper, Karen Coody

    • Fricke, Suzanne Newman. “Oklahoma Cherokee Baskets [Review of book by Karen Coody Cooper].” 13 (Winter 2016): 90–91

    Coonsis, Colin

    • Belarde-Lewis, Miranda. “Colin Coonsis: Zuni Jeweler and Lapidarian.” 12 (Fall 2016): 62–67

    Copyright

    • Kemper, Kevin. “Everything You Create is Protected by Copyright Law.” 8 (Fall 2015): 108–109
    • Kemper, Kevin R. “Fair Use: Content, Copyright, and Culture.” 9 (Winter 2015): 88–89
    • Kemper, Kevin R. “Is it a Copy, Or Is It a Copy?: The Claim of Copyright in Copies of Copies.” 10 (Spring 2016): 90–91
    • Kemper, Kevin. “Copyright Protection and the Arts.” 11 (Summer 2016): 84–85

    Corbett, Tom

    • Logan Jr., Doyle. “Laguna Pueblo: A Photographic History [Review of book by Lee Marmon and Tom Corbett].” 8 (Fall 2015): 96–97.

    Cordon, Teresa

    • Merz-Edwards, Jean. “Traditional Weavers of Guatemala: Their Stories, Their Lives [Written by Deborah Chandler and Teresa Cordon].” 10 (Spring 2015): 84–85.

    Cree

    • Fricke, Suzanne Newman. “Gashka’oode (Tangled) [Review of catalogue edited by Dolleen Manning].” FAAM no. 4 (Fall 2014): 85–86 | print | digital
    • Smith, Matthew Ryan, “Art+Lit: Quinn Smallboy.” 12 (Fall 2016): 100–103.
    • Smith, Matthew Ryan. “Storming Canada: Carl Ray, Indigenous Representation, and Sacred Legends.” 6 (Spring 2015): 24–29.

    Crow

    • Watson, Mary Jo. “Wendy Red Star: Crow Interdisciplinary Artist.” FAAM no. 5 (Winter 2014): 34–39 | print | digital

    Cultural Misappropriation

    • Metcalfe, Jessica R. “More Than Just a Trend: Rethinking the ‘Native’ in Native Fashion.” FAAM no. 0 (Spring 2013): 36–39 | digital

    Cultural Patrimony

    • Harjo, Suzan Shown. “Cultural Heritage, Art, & Living Beings: Justice Lost in Translation.” FAAM no. 1 (Fall 2013): 52–55 | print | digital

    Cutropia, Rose Marie

    • Cutropia, Rose Marie. “Frame, Mat, Glass? How Do You Decide?” 15 (Summer 2017): 40–42.

    Cuzco School

    • Meredith, America. “Cuzco School: Andean Visions in Oils and Gold.” FAAM no. 2 (Spring 2014): 55–59 | print | digital