
Issue No. 52, Fall 2026
(October–December)
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Features
- Apache Rawhide Playing Cards: Mystery and Meaning
By Tammi J. Hanawalt, PhD, 22–29 - The Sobey Art Awards: Supporting Indigenous Artists for 24 Years
By Cynthia Close, 32–38 - Picturing Greenland: Aalut Kangermiu, Colonial Encounter, and Cultural Sovereignty
By Matthew Ryan Smith, PhD, 40–47 - Consecrated in Clay: The Enduring Marks of Kalina Pottery
By Ahmadu Abubakar Ndakogarba, 48–53

Artist Profiles
- Pamela J. Peters: Diné Photographer and Filmmaker
By Christy Hanson (Diné) and America Meredith (Cherokee Nation), 56–62 - Shelby Rowe: Chickasaw Beadwork Artist
By America Meredith (Cherokee Nation), 62–67 - Richard Ray Whitman: Yuchi/Muscogee Photographer, Mixed-Media Artist, and Actor
By Vicki Monks (Chickasaw), 68–73 - Dwayne “Chuck” Wilcox: Oglala Lakota Ledger Artist & Sculptor
By Matthew Ryan Smith, PhD, 74–79
Departments
- Recent Developments
By Staci Golar and America Meredith (Cherokee Nation), 9–15- In Memoriam: Susan Feller (Choctaw Nation, 1954–2026), by Samonia Byford (Cherokee Nation), 15
- In Memorial: Bill Wiggins (1940–2026), by America Meredith (Cherokee Nation) and Mike and Jody Wahlig
- Seven Directions | Neebinnaukzhik Southall (Rama Chippewa), 17–21
- Rising Voices | Color the Rez
By Jessica Ma’ilo (Delaware Nation/Kiowa/Samoan), 96–99 - Art+Lit | Tiffany Midge: Hunkpapa Lakota Author, Poet, and Editor
By Matthew Ryan Smith, PhD, 100–103- “Reimagined Bestsellers,” by Tiffany Midge (Hunkpapa Lakota), 103
- Calendar, compiled by Jessica Ma’ilo (Delaware Nation/Kiowa/Samoan), Staci Golar, and America Meredith (Cherokee Nation), 109–112
Reviews + Report

Art Exhibition Reviews
- Albuquerque | Coiling Kin: The Life of Pueblo Pottery, Maxwell Museum of Anthropology
By Suzanne Newman Fricke, PhD, 80–81 - Cleveland, OH | still/emerging: Native American Works on Paper, Cleveland Museum of Art
By Peter Letzelter-Smith, 81–82 - Nashville | An Indigenous Present, Frist Art Museum
By Sadie Counts, PhD, 83 - New York | Whitney Biennial 2026, Whitney Museum of American Art
By Anya Montiel, PhD (Mestiza/ Tohono O’odham descent), 84–86 - Ottawa | Contact Zones: Gerald McMaster and the Reshaping of Canadian Art History, National Gallery of Canada
By Cynthia Close, 87–88 - Santa Fe | Continuum: Blindfall, First Strike, Vladem Contemporary, New Mexico Museum of Art
By Leanne Haase Goebel, 88–89 - Santa Fe | Indian Theater: Native Performance, Art, and Self-Determination since 1969, SITE Santa Fe
By Michelle J. Lanteri, PhD, 91 - Shawnee, OK | Echoes of Time and Place: Sauk Art and Culture, Mabee-Gerrer Museum of Art
By Anna Smist (Sac & Fox), 92–93 - Warm Springs, OR | Lillian Pitt: Art, Memory, Home, Museum at Warm Springs
By Mandy Yeahpau (Comanche/Cherokee/Tarahumara descent), 94–95
Book Reviews
- The Lost Haida Manga: A Compendium, Michael Nicoll Yahgulanaas (Douglas & McIntyre, 2026)
Review by Peter Letzelter-Smith, 104–05 - Red Skin Dreams: Twenty Years of Curating Indigenous Art at the Venice Biennale, Nancy Marie Mithlo, PhD (University of Nebraska Press, 2026)
Review by Michelle J. Lanteri, PhD, 105–06
Memorials
- Jean LaMarr (Susanville Achomawi/Northern Paiute, 1945–2026)
By Ann M. Wolfe, 107 - Georgina Lightning, White Bear Woman (Samson Cree, 1963–2026),
By Staci Pratt, PhD (Mvskoke), 108
