Close Menu
    Facebook Instagram LinkedIn
    • Subscribe
    • Advertise
    • Contact Us
    Indigenous art. Indigenous perspectives.
    Facebook Instagram LinkedIn Pinterest
    First American Art Magazine
    • Home
    • About Us
      • Press
      • Distribution
      • Sponsors
      • Contact Us
      • Refund and Returns Policy
    • Current Issue
    • Past Issues
      • Archives
      • FAAM Index
    • Content
      • Articles
      • Blog
      • Reference
        • Acronyms
        • Art Terms
        • Artist and Scholar List: A–F
        • Museums, Galleries, and Other Art Venues
        • Timeline of Indigenous Art History of the Americas
    • Calendar
      • Submit an Event
    • Submissions
      • FAAM Style Guide
    • Advertise
    • Shop
    0 Shopping Cart
    First American Art Magazine
    Home»FAAM Index: D

    FAAM Index: D

    leftnext pageA | B | C | D | E | F | G | H | I | J | K | L | M
    N | O | P | Q | R | S | T | U | V | W | X, Y, Z & #

     D

    Da’, Laura

    • Da’, Laura. “Chains and Links [Poem].” FAAM no. 4 (Fall 2014): 89 | print | digital
    • Da’, Laura. “Historical Citations [Poem].” FAAM no. 4 (Fall 2014): 89 | print | digital
    • Da’, Laura. “Metes and Bounds [Poem].” FAAM no. 4 (Fall 2014): 88 | print | digital
    • Da’, Laura. “The Points of Beginning [Poem].” FAAM no. 4 (Fall 2014): 88 | print | digital

    Dance

    • Belgodere, Jeanine. “The Theme of Dance in Allan Houser’s Sculptures.” FAAM no. 2 (Spring 2014): 40–43  | print | digital
    • Neil-Binion, Denise. “Maria Tallchief [Memorial].” FAAM no. 1 (Fall 2013): 76 | print | digital
    • Smith, Matthew Ryan. “Tsu Heidei Shugaxtutaan [Review of video by Nicholas Galanin].” FAAM no. 4 (Fall 2014): 87 | print | digital

    Danish Architecture Centre

    • Norman, David Winfield. “Greenland: Head for the Centre of the World. Copenhagen: Danish Architecture Centre [Review].” FAAM no. 2 (Spring 2014): 63–64 | print | digital

    Davis, Sage

    • Diaz, RoseMary. “I Am Anishinaabe.” 16 (Fall 2017): 18–20.

    Dawley, Martina

    • Dawley, Martina, and Biddison, Dawn. “Neoglyphix Travels North: Anchorage Museum’s Urban Interventions.” FAAM no. 13 (Winter 2016): 44–48 | print | digital

    De Cora, Angel

    • Southall, Neebinnaukzhik. “Exploring Native Graphic Design.” FAAM no. 0 (Spring 2013): 10 | digital

    Decolonize Me

    • Meredith, America. “Decolonize Me [Review of book edited by Heather L. Igliorte].” FAAM no. 0 (Spring 2013): 63–64 | digital

    Delaware (state)

    • Da’, Laura. “Chains and Links [Poem].” FAAM no. 4 (Fall 2014): 88–89 | print | digital

    Dena’ina

    • Jackinsky-Sethi, Nadia. “Dena’inaq’ Huch’ulyeshi: The Dena’ina Way of Living. Anchorage: The Anchorage Museum [Review].” FAAM no. 2 (Spring 2014): 60–62 | print | digital

    Dena’inaq’ Huch’ulyeshi: The Dena’ina Way of Living

    • Jackinsky-Sethi, Nadia. “Dena’inaq’ Huch’ulyeshi: The Dena’ina Way of Living. Anchorage: The Anchorage Museum [Review].” FAAM no. 2 (Spring 2014): 60–62 | print | digital

    Denipah, Marian

    • Golar, Staci. “Travels to China: Artists Sustain Traditions Using the Universal Language of Art.” FAAM no. 2 (Spring 2014): 48–51 | print | digital

    Denmark

    • Norman, David Winfield. “Blok P: Final Salute. Copenhagen: Nordatlantens Brygge [Review].” FAAM no. 2 (Spring 2014): 62–62 | print | digital
    • Norman, David Winfield. “Greenland: Head for the Centre of the World. Copenhagen: Danish Architecture Centre [Review].” FAAM no. 2 (Spring 2014): 63–64 | print | digital

    Denver Art Museum

    • Hale, Scott W. “Revolt 1680/2180: Virgil Ortiz. Denver: Denver Art Museum [Review].” 9 (Winter 2015): 75–76.
    • Hale, Scott W. “Super Indian: Fritz Scholder 1967–1980. Denver: Denver Art Museum [Review].” 10 (Spring 2016): 73–74.
    • Merz-Edwards, Jean. “Art in Motion: Native American Explorations of Time, Place, and Thought [Review of book edited by John Lukavic and Laura Caruso].” 13 (Winter 2016): 88.

    Diaz, Natalie

    • Gómez, Reid. “Natalie Diaz: Mojave-Pima Poet.” 5 (Winter 2014): 76–79.

    Diaz, RoseMary

    • Diaz, RoseMary. “Decontie and Brown: Penobscot Jewelry and Fashion Designers.” 14 (Spring 2017): 16–18.
    • Diaz, RoseMary. “Diego Romero: Cochiti Potter.” 9 (Winter 2015): 68–73.
    • Diaz, RoseMary. “Esther G. Belin: Dine Poet.” FAAM no. 13 (Winter 2016): 98–101 | print | digital
    • Diaz, RoseMary. “Healing Through the Creative Process: Art Therapy in Indian Country.” FAAM no. 2 (Spring 2014): 44–47  | print | digital
    • Diaz, RoseMary. “I Am Anishinaabe.” 16 (Fall 2017): 18–20.
    • Diaz, RoseMary. “Jennifer Moquino: Santa Clara Ceramic Artist.” 12 (Fall 2016): 68–73.
    • Diaz, RoseMary. “Jicarilla: Home Near the Heart of the World.” 13 (Winter 2016): 78–79
    • Diaz, RoseMary. “LaVerna (Laverne) Goldtooth [Memorial].” FAAM no. 2 (Spring 2014): 79 | print | digital
    • Diaz, RoseMary. “Margarete Bagshaw [Memorial].” 7 (Summer 2015): 89.
    • Diaz, RoseMary. “Marcus Amerman: Choctaw Beadwork Artist.” FAAM no. 15 (Summer 2017): 46–51 | print | digital
    • Diaz, RoseMary. “Near the Water’s Edge.” 7 (Summer 2015): 86–87.
    • Diaz, RoseMary. “Pilar Agoyo: Ohkay Owingeh-Cochiti-Kewa Pueblo Fashion Designer.” FAAM no. 4 (Fall 2014): 26–31 | print | digital
    • Diaz, RoseMary. “Rollie Grandbois (Memorial).” 13 (Winter 2016): 103.
    • Diaz, RoseMary. “Through the Sacred Circle: A Brief History of the Hoop Dance in North America.” 6 (Spring 2015): 40–45
    • Diaz, RoseMary. “The Thunderbird Poems [Review of book by Armand Garnet Ruffo].” 9 (Winter 2015): 84–85.
    • Diaz, RoseMary. “Top of the World Bound: Seven Pacific Northwest Coast, Alaska, and Canadian First Nations Artists Reflect on Challenge, Opportunity, and Santa Fe Indian Market.” FAAM no. 1 (Fall 2013): 40–45 | print | digital
    • Meredith, America. “RoseMary Diaz: Santa Clara Pueblo Tewa Writer.” 7 (Summer 2015): 84–85.

    Diaz, Natalie

    • Diaz, Natalie. “These Hands, If Not Gods [Poem].” FAAM no. 5 (Winter 2014): 78–77 | print | digital
    • Gómez, Reid. “Natalie Diaz: Mojave-Pima Poet.” FAAM no. 5 (Winter 2014): 76–79 | print | digital

    Dick, Beau

    • Meredith, America. “Beau Dick [Memorial].” 15 (Summer 2017): 90–91

    Digital Media

    • LaPensée, Elizabeth. “The Artistry of Indigenous Games.” 8 (Fall 2015): 22–23
    • Smith, Matthew Ryan. “Visual Artist and Designer: Jodi Webster.” 12 (Fall 2016): 22–23

    Dion, Wally

    • Fricke, Suzanne Newman. “Gashka’oode (Tangled) [Review of catalogue edited by Dolleen Manning].” FAAM no. 4 (Fall 2014): 85–86 | print | digital

    Douglas-Willard, Diane

    • Diaz, RoseMary. “Top of the World Bound: Seven Pacific Northwest Coast, Alaska, and Canadian First Nations Artists Reflect on Challenge, Opportunity, and Santa Fe Indian Market.” FAAM no. 1 (Fall 2013): 40–45 | print | digital

    Dowell, JoKay

    • Dowell, JoKay. “Shan Goshorn: Eastern Band Cherokee Interdisciplinary Artist.” FAAM no. 1 (Fall 2013): 22–27 | print | digital

    Doxtator, Beverly

    • Fricke, Suzanne Newman. “Gashka’oode (Tangled) [Review of catalogue edited by Dolleen Manning].” FAAM no. 4 (Fall 2014): 85–86 | print | digital

    Diné: see Navajo

    Drawing

    • Melero, Melissa. “Ben Aleck: Northern Paiute Painter and Draftsman.” FAAM no. 2 (Spring 2014): 14–17 | print | digital | web article
    • Meredith, America. “Kenojuak Ashevak: Pioneering Inuk Artist Inspired Generations with Her Bold Style [Memorial].” FAAM no. 0 (Spring 2013): 77 | digital

    Dry Creek Pomo: see Pomo.

    Dubin, Lois Sherr

    • Meredith, America. “Floral Journey: Native North American Beadwork [Review of book by Lois S. Dubin].” FAAM no. 4 (Fall 2014): 84–85 | print | digital

    Dugi, Orlando

    • Perala-Hunt, Linda. “One Bead at a Time: The Artistry of Orlando Dugi and Kenneth Williams. Durango, CO: Center of Southwest Studies, Fort Lewis College [Review].” FAAM no. 5 (Winter 2014): 64 | print | digital

    The Durango Collection: Native American Weaving in the Southwest, 1860–1880

    • Torres-Nez, John. “The Durango Collection: Native American Weaving in the Southwest, 1860–1880. Santa Fe: Wheelwright Museum of the American Indian [Review].” FAAM no. 1 (Fall 2013): 66 | print | digital

    Dugi, Orlando

    • Greeves, Teri. “Orlando Dugi: Diné Beadwork Artist and Fashion Designer.” FAAM no. 0 (Spring 2013): 12-17 | digital
    • Perala-Hunt, Linda. “One Bead at a Time: Artistry of Orlando Dugi and Kenneth Williams [Review].” 5 (Winter 2014): 64

    Dzawada’enuxw: See Kwakwaka’wakw.

    Peabody Essex Museum: join the 2026 long-term Native American Fellowship program
    Weaving Words, Weaving Worlds
    Sign up for FAAM Art Beat newsletter
    Sign up for FAAM Art Beat newsletter
    Cherokee Language Publishing
    Indigenous Editors Association
    Indigenous Editors Association
    Mission Statement

    First American Art Magazine, LLC (FAAM), broadens understanding of art by Indigenous peoples of the Americas from tribal communities to the global art world.

    Vision Statement

    First American Art Magazine, LLC, strives to foster historical resilience, cross-cultural understanding, and reintegration of humans into the natural world.

    turtleshell rattle by Tommy Wildcat

    First American Art Magazine's offices are located within the ancestral homelands of the Wichita and Affiliated Tribes and the historic territories of the Muscogee Nation and the Seminole Nation of Oklahoma.

    Contact Us

    First American Art Magazine
    3334 W. Main St. #442
    Norman, OK 73072
    (405) 561-7655

    info@firstamerican.art
    ads@firstamerican.art
    circulation@firstamerican.art

    Site Admin

    © 2025 First American Art Magazine, LLC. All rights reserved.

    Type above and press Enter to search. Press Esc to cancel.