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    FAAM Index: F

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    Fashion

    • Diaz, RoseMary. “Decontie and Brown: Penobscot Jewelry and Fashion Designers.” 14 (Spring 2017): 16–18.
    • Diaz, RoseMary. “I Am Anishinaabe.” 16 (Fall 2017): 18–20. print | digital
    • Diaz, RoseMary. “Pilar Agoyo: Ohkay Owingeh-Cochiti-Kewa Pueblo Fashion Designer.” FAAM no. 4 (Fall 2014): 26–31 | print | digital
    • Greeves, Teri. “Orlando Dugi: Diné Beadwork Artist and Fashion Designer.” FAAM no. 0 (Spring 2013): 12-17 | digital
    • Jackinsky-Sethi, Nadia. “Fish Skin as a Textile Material in Alaska Native Cultures.” FAAM no. 5 (Winter 2014): 40–47 | print | digital
    • Meredith, America. “Ascending New Heights: Four Artists to Watch.” 8 (Fall 2015): 52–57.
    • Metcalfe, Jessica R. “More Than Just a Trend: Rethinking the ‘Native’ in Native Fashion.” FAAM no. 0 (Spring 2013): 36–39 | digital
    • Stock, Alexandra Ponca. “Wendy Ponca: Osage Fashion Designer and Textile Artist.” 9 (Winter 2015): 62–67
    • Southall, Neebinnaukzhik. “Eunique Yazzie: Design in the Community.” 11 (Summer 2016): 20–21
    • Southall, Neebinnaukzhik. “The Making of a Designer: Mark Rutledge.” FAAM no. 4 (Fall 2014): 24–25 | print | digital

    Favell, Rosalie

    • Smith, Matthew Ryan. “The Archive in Contemporary Indigenous Art.” 12 (Fall 2016): 26–33.

    Featherwork

    • Ryker-Crawford, Jessie. “Art and Object Conservation: Caring for Featherwork.” FAAM no. 2 (Spring 2014): 74–75  | print | digital

    Feddersen, Joe

    • Meredith, America. “Joe Feddersen: Okanagan-Sinixt Printmaker, Glass Artist, and Basket Weaver.” FAAM no. 5 (Winter 2014): 22–27 | print | digital

    Feminism

    • Meredith, America. “Stands with a Fist. Santa Fe: Museum of Contemporary Native Arts.” FAAM no. 1 (Fall 2013): 67–68 print | digital
    • Merz-Edwards, Jean. “Intersections Between Feminism and Indigenous Art.” 14 (Spring 2016): 26–31

    Fendenheim, James

    • Fendenheim, James and Magdalena Velasco. “Bill Soza Warsoldier [Memorial].” FAAM no. 3 (Summer 2014): 78 | print | digital

    Ferber, Andrea L.

    • Ferber, Andrea L. “Alex Janvier: Modern Indigenous Master. Calgary: Glenbow Museum (review).” 21 (Winter 2018): 74–75. print | digital
    • Ferber, Andrea L. “American Indian Workshop: London 2017 [report].” 17 (Winter 2017): 80. print | digital
    • Ferber, Andrea L. “Art for a New Understanding: Native Voices–1950s to Now. Bentonville, Arkansas: Crystal Bridges Museum of Art (review).” 21 (Winter 2018): 72–73. print | digital
    • Ferber, Andrea L. “Collections: Denver Art Museum.” 24 (Fall 2019): 90–92
    • Ferber, Andrea L. “Collections: Glenbow Museum” 21 (Winter 2018): 90–93. print | digital
    • Ferber, Andrea L. “Collections: The Metropolitan Museum of Art.” 23 (Summer 2019): 100–03. print | digital
    • Ferber, Andrea L. “Collections: The National Museum of Mexican Art.” 20 (Fall 2018): 101–03. print | digital
    • Ferber, Andrea L. “Collections: Nerman Museum of Contemporary Art.” 25 (Winter 2020).
    • Ferber, Andrea L. “Collections: Philbrook Museum of Art.” 22 (Spring 2019): 96–99. print | digital
    • Ferber, Andrea L. “Collections: The Saint Louis Art Museum.” 19 (Summer 2018): 88–91. print | digital
    • Ferber, Andrea L. “Crow’s Shadow Institute of the Arts at 25 [Review of book by heather ahtone, Rebecca J. Dobkins, and Prudence F. Roberts].” FAAM no. 19 (Summer 2018): 84 | print| digital
    • Ferber, Andrea L. “Harry Fonseca: The Art of Living. Indianapolis: Eiteljorg Museum of Indians and Western Art.” 23 (Summer 2019): 84–85. print | digital
    • Ferber, Andrea L. “Horse Nation of the Očhéthi Šakówin. Brooking, South Dakota: South Dakota Museum of Art (review).” 16 (Fall 2017): 72–73. print | digital
    • Ferber, Andrea L. “Indigeneity at documenta 14.” 17 (Winter 2017): 28–35. print | digital
    • Ferber, Andrea L. “Jaune Quick-To-See Smith: Sqelix’u/Métis/Shoshone Cultural Arts Worker.” 25 (Winter 2020)
    • Ferber, Andrea L. “Meryl McMaster: Plains Cree Photographer.” 24 (Fall 2019): 60–65. print | digital
    • Ferber, Andrea L. “Monarchs: Brown and Native Artists in the Path of the Butterfly. Omaha: Bemis Center for Contemporary Arts.” 18 (Spring 2018): 80–81. print | digital
    • Ferber, Andrea L. “The Rhizomes of Repatriation.” 22 (Spring 2019): 52–54. print | digital
    • Ferber, Andrea L. “Rituals: Porfirio Gutiérrez. Kansas City, Missouri: Travois (review).” 20 (Fall 2018): 85. print | digital

    Fernandez, Wade

    • Church, Kelly. “Seven Directions: Kelly Church.” FAAM no. 5 (Winter 2014): 12–13 | print | digital

    Field Museum

    • Eldred, Michole, “Bunky Echo-Hawk: Modern Warrior. Chicago: Field Museum [Review].” FAAM no. 5 (Winter 2014): 63 | print | digital

    Fields, Anita

    • Neil-Binion, Denise. “Anita Fields: Osage-Muscogee Ceramic Artist.” FAAM no. 0 (Spring 2013): 18-23 | digital

    Fields, Nancy Strickland

    • Fields, Nancy Strickland. “Jessica Clark: Lumbee Painter.” FAAM no. 5 (Winter 2014): 16–21 | print | digital
    • Fields, Nancy Strickland. “Threads of Identity: Contemporary Maya Textiles Charlotte, NC: Mint Museum (review).” 12 (Fall 2016): 88

    Film/Video

    • Norman, David Winfield. “Inuk Silis Hoegh: Kalaaleq Filmmaker and Interdisciplinary Artist.” 7 (Summer 2015): 62–67
    • Smith, Matthew Ryan. “Asleep and Awake Contemporary Indigenous Video Art and the Politics of Presence.” 8 (Fall 2015): 40–45

    Fish Skin

    • Jackinsky-Sethi, Nadia. “Fish Skin as a Textile Material in Alaska Native Cultures.” FAAM no. 5 (Winter 2014): 40–47 | print | digital

    Five Myles Exhibition Program

    • Willard, Tania. “Seven Directions.” FAAM no. 4 (Fall 2014): 22–23 | print | digital

    Flett, George

    • Meredith, America. “George Flett: Love and Camas–Renowned Renowned Ledger Artist Was Dedicated to His People [Memorial].” FAAM no. 0 (Spring 2013): 78 | digital

    Floral Journey: Native North American Beadwork

    • Church, Kelly. “Seven Directions: Kelly Church.” FAAM no. 5 (Winter 2014): 12–13 | print | digital
    • Meredith, America. “Floral Journey: Native North American Beadwork [Review of book by Lois S. Dubin].” FAAM no. 4 (Fall 2014): 84–85 | print | digital

    Fonts: See Typography

    Forest City Gallery, London, ON

    • Fricke, Suzanne Newman. “Gashka’oode (Tangled) [Review of catalogue edited by Dolleen Manning].” FAAM no. 4 (Fall 2014): 85–86 | print | digital

    Formline

    • Bell, Gloria. “Robert Davidson: Abstract Impulse. New York: National Museum of the American Indian George Gustav Heye Center [Review].” FAAM no. 4 (Fall 2014): 78–79 | print | digital

    Fort Ancient

    • Meredith, America. “Ohio’s Ancient Earthworks.” FAAM no. 5 (Winter 2014): 56–59 | print | digital

    France

    • Boney Jr., Roy. “Something Imperialistic Happened on the Way to the Louvre: Délégation Amérindienne 2012, An Artist’s Perspective.” FAAM no. 0 (Spring 2013): 40–45 | digital
    • Harjo, Suzan Shown. “Cultural Heritage, Art, & Living Beings: Justice Lost in Translation.” FAAM no. 1 (Fall 2013): 52–55 | print | digital

    Frazier, Santee

    • Smith, Matthew Ryan. “Santee Frazier: Cherokee Writer, Poet, and Educator.” 11 (Summer 2016): 86–88

    Fred Jones Jr. Museum of Art, Norman, OK

    • Neil-Binion, Denise. “Hopituy: Kachinas from the Permanent Collections. Norman, OK: Fred Jones Jr. Museum of Art [Review].” FAAM no. 1 (Fall 2013): 64–65 | print | digital

    Freeman, Morgan E.

    • Freeman, Morgan E. “Rebecca Belmore: Facing the Monumental. Art Gallery of Ontario [Review].” FAAM no. 21 (Winter 2018/19): 80–81 | print | digital

    Fricke, Suzanne Newman

    • Fricke, Suzanne Newman. “Acting OUT: A Symposium on Indigenous Performance Art.” 10 (Spring 2016): 86–87. print | digital
    • Fricke, Suzanne Newman. “Alex J. Pena: Comanche-Pawnee- San Ildefonso Printmaker.” 6 (Spring 2015): 62–67
    • Frick, Suzanne Newman. “As We See It: Photography by Contemporary Native American Artists. Yekaterinburg, Russia: Ekaterinburg Museum of Fine Arts [Report].” FAAM no. 5 (Winter 2014): 65–66 | print | digital
    • Fricke, Suzanne Newman. “Conversations: Eiteljorg Contemporary Art Fellowship 2015 [Edited Ashley Holland and Jennifer Complo McNutt].” 10 (Spring 2015): 81. print | digital
    • Fricke, Suzanne Newman. “The Force Will Be With You… Always: Science Fiction Imagery in Native American Art.” 12 (Fall 2016): 34–39.
    • Fricke, Suzanne Newman. “Gashka’oode (Tangled) [Review of catalogue edited by Dolleen Manning].” FAAM no. 4 (Fall 2014): 85–86 | print | digital
    • Fricke, Suzanne Newman. “Hemisphere: Visual Cultures of the Americas, Volume VI [Review of journal edited by India Young].” FAAM no. 2 (Spring 2014): 71 | print | digital
    • Fricke, Suzanne Newman. “Marwin Begaye: Navajo Printmaker.” 11 (Summer 2016): 46–51
    • Fricke, Suzanne Newman. “Matika Wilbur: Swinomish-Tulalip Photographer.” FAAM no. 3 (Summer 2014): 34–41
    • Fricke, Suzanne Newman. “Melanie Yazzie: Geographies of Memory.” FAAM no. 3 (Summer 2014): 64–65 | print | digital
    • Fricke, Suzanne Newman. “Migration.” 9 (Winter 2015): 85–86
    • Fricke, Suzanne Newman. “Nanibah ‘Nani’ Chacon: Diné-Xicana Painter.” FAAM no. 1 (Fall 2013): 16–21 | print | digital
    • Fricke, Suzanne Newman. “Nora Naranjo Morse: Tewa Sculptor.” 15 (Summer 2017): 58–63
    • Fricke, Suzanne Newman. “Oklahoma Cherokee Baskets [Review of book written by Karen Coody Cooper].” 13 (Winter 2016): 90–91
    • Fricke, Suzanne Newman. “Patrick Dean Hubbell Earth: Untitled.” 13 (Winter 2016): 82–83
    • Fricke, Suzanne Newman. “Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers [Review of book edited by Joanna Bigfeather and Amy Lonetree].” 7 (Summer 2015): 79–80
    • Fricke, Suzanne Newman. “Plunder Me Baby: Paintings and Sculpture.” 15 (Summer 2017): 76–77
    • Fricke, Suzanne Newman. “War Department: Selections from MoCNA’s Permanent Collection.” 8 (Fall 2015): 89–90