Close Menu
    Facebook Instagram LinkedIn
    • Subscribe
    • Advertise
    • Contact Us
    Indigenous art. Indigenous perspectives.
    Facebook Instagram LinkedIn Pinterest
    First American Art Magazine
    • Home
    • About Us
      • Press
      • Distribution
      • Sponsors
      • Contact Us
      • Refund and Returns Policy
    • Current Issue
    • Past Issues
      • Archives
      • FAAM Index
    • Content
      • Articles
      • Blog
      • Reference
        • Acronyms
        • Art Terms
        • Artist and Scholar List: A–F
        • Museums, Galleries, and Other Art Venues
        • Timeline of Indigenous Art History of the Americas
    • Calendar
      • Submit an Event
    • Submissions
      • FAAM Style Guide
    • Advertise
    • Shop
    0 Shopping Cart
    First American Art Magazine
    Home»Web Content»Blog»Interwoven: Cherokee, Muscogee (Creek), & Yuchi Baskets

    Interwoven: Cherokee, Muscogee (Creek), & Yuchi Baskets

    0
    By Shelley Patrick on November 5, 2025 Blog
    “Carrying basket,” c. 1941, owned by Nancy Bradley (Eastern Band Cherokee, 1881-1963), made with rivercane. Photo: Shelley Patrick (Mvskoke).

    TULSA, Okla. – Interwoven: Cherokee, Muscogee (Creek), & Yuchi Baskets opened October 4, 2025 at the Philbrook Museum of Art near downtown Tvlse, Oklahoma. Curated by Welana A. Queton (Osage/Muscogee/Cherokee Nation), Mellon Fellow for Native Art at Philbrook, Interwoven exemplifies the artistry and history of these three Southeastern tribes’ ancestral basketmaking.

    Eastern Band Cherokee artist once Known,”Quiver for Blowgun Darts,” c. 1942, , made with rivercane, oak, and hickory. Photo: Shelley Patrick (Mvskoke).

    Arranged along the walls of the circular mezzanine, basket displays lead viewers around the exhibition, a route reminiscent of a basket-maker weaving their reed around each basket spoke. Southeastern tribes have practiced basketmaking for thousands of years. Carried along through time and turmoil, this ancestral artistry marks a line of cultural continuance through today’s basket makers.

    Baskets in the exhibition range from the late 1800s to the present day. Made from natural plant materials, such as rivercane and honeysuckle, these baskets are food-safe. They are of a style often used in food processing, as shown by four baskets used for catching, sieving, sifting, and winnowing grains. Seen as “gifts from the land,”as told by the Cherokee Creation Story cited in the gallery text, baskets are valued as a source of sustenance and for their practical and functional uses. Although each tribe’s basketry differs in heritage and history, all are Interwoven in the Muscogee (Creek) town Tvlse, the city now known as Tulsa. The Cherokee, Muscogee (Creek), and Yuchi were all forcibly removed from their Southeastern homelands, and their current boundaries converge in Tulsa County (along with the Osage Nation). This exhibition of their basketry showcases a shared cultural and historical landscape.

    Food processing baskets: catch, sieve, sifter, and winnowing, c. 1941, owned by Winey Deere (Muscogee (Creek), ?-1984, made with dogwood splints. Photo: Shelley Patrick (Mvskoke).

    Links

    • Philbrook Website, Interwoven: Cherokee, Muscogee (Creek), & Yuchi Baskets
    • Instagram, Philbrook Museum of Art

    Related Posts

    NAASA 2025 Conference

    October 22, 2025

    Work with First American Art Magazine!

    October 20, 2025

    Ledger Art Discussion at the Charles Russell Center | Dec. 2, 2025

    October 4, 2025
    Peabody Essex Museum: join the 2026 long-term Native American Fellowship program
    Weaving Words, Weaving Worlds
    Sign up for FAAM Art Beat newsletter
    Sign up for FAAM Art Beat newsletter
    Cherokee Language Publishing
    Indigenous Editors Association
    Indigenous Editors Association
    Mission Statement

    First American Art Magazine, LLC (FAAM), broadens understanding of art by Indigenous peoples of the Americas from tribal communities to the global art world.

    Vision Statement

    First American Art Magazine, LLC, strives to foster historical resilience, cross-cultural understanding, and reintegration of humans into the natural world.

    turtleshell rattle by Tommy Wildcat

    First American Art Magazine's offices are located within the ancestral homelands of the Wichita and Affiliated Tribes and the historic territories of the Muscogee Nation and the Seminole Nation of Oklahoma.

    Contact Us

    First American Art Magazine
    3334 W. Main St. #442
    Norman, OK 73072
    (405) 561-7655

    info@firstamerican.art
    ads@firstamerican.art
    circulation@firstamerican.art

    Site Admin

    © 2025 First American Art Magazine, LLC. All rights reserved.

    Type above and press Enter to search. Press Esc to cancel.