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    First American Art Magazine
    Home»Archives»2019»FAAM No. 23, Summer 2019

    FAAM No. 23, Summer 2019

    0
    By FAAM Staff on October 10, 2019 2019, Archives

    Issue No. 23, Summer 2019

    FAAM No. 23, Summer 2019

    Click here to purchase a digital copy for $7 from Issuu.

    To purchase a print copy, select your location:

    Locations

    Features

    • Taking a Closer Look: Four Emerging Artists Shine in the Spotlight, RoseMary Diaz (Santa Clara Tewa), 24–28
    • Amanda Crowe & Her Legacy: Eastern Band Cherokee Woodcarving, Tammi J. Hanawalt, PhD, 30–35
    • peepankišaapiikahkia eehkwaatamenki aacimooni: A Story of Miami Ribbonwork, Scott M. Shoemaker, PhD (Miami), George Ironstrack (Miami), and Karen Baldwin, 36–43
    • Reclaiming Space in Native Knowledges and Languages: The Clemente Course in the Humanities, Laura Marshall Clark (Muscogee Creek), 44–48

    Artist Profiles

    • D. Y. Begay: Diné Textile Artist, Jennifer McLerran, PhD, 54–59
    • Benjamin Harjo Jr.: Absentee Shawnee/Seminole Painter and Printmaker, Staci Golar, 60–65
    • Freddy Mamani Silvestre: Aymara Architect, Vivian Zavataro, Translated by Vivian Zavataro & José Luis Monteverde, 66–71
    • Tyra Shackleford: Chickasaw Textile Artist, Vicki Monks (Chickasaw), 72–77

    Departments

    • Recent Developments, 16–19
    • Seven Directions | Hallie Winter (Osage), 20–23
    • Art+Literature | Suzan Shown Harjo (Cheyenne/Hodulgee Muscogee), Matthew Ryan Smith, PhD, 96–99
    • Collections | The Metropolitan Museum of Art, Andrea L. Ferber, PhD, 100–103
    • Spotlight | Melt: Prayers for the People and the Planet, Angela Babby (Oglala Lakota), Mariah Ashbacher, 104–105
    • Calendar, 109–112

    Reviews

    Art Exhibition Reviews

    • Anchorage | Kegginaqut: Yup’ik Masks, Anchorage Museum
      Review by Bryn Barabas Potter, 78–79
    • Charlottesville, VA | Reflections: Native Art Across Generations,The Fralin Art Museum at the University of Virginia
      Review by Marina Tyquiengco, 80–81
    • Cherokee, NC | Renewal of the Ancient: Cherokee Millennial Artists, Museum of the Cherokee Indian
      Review byAmerica Meredith (Cherokee Nation), 81–82
    • Claremont, CA | Courtney M. Leonard: Intermodal, Pomona College Museum of Art
      Review by Suzanne Newman Fricke, PhD, 83–84
    • Indianapolis, IN | Harry Fonseca: The Art of Living, Eiteljorg Museum of American Indians and Western Art
      Review by Andrea L. Ferber, PhD, 84–85
    • London, ON | From SkyWorld to Cyberspace, McIntosh Gallery, Western University
      Review by Jennifer Lorraine Fraser, 85–87
    • Long Island City, NY | Hock E Aye Vi Edgar Heap of Birds: Surviving Active Shooter Custer, MoMA PS1
      Review by Marina Tyquiengco, 87–88
    • Minneapolis, MN | Hearts of Our People: Native Women Artists, Minneapolis Institute of Art
      Review by Sheila Regan, 88–90
    • Ottawa, ON | Uprising: The Power of Mother Earth, Carleton University Art Gallery
      Review by Gloria Bell, PhD (Métis), 90–91
    • Reno, NV | See Her: New Works by Dyani White Hawk, Lilley Museum of Art, University of Nevada, Reno
      Review by Caitlin Earley, 91–93

    Book Review

    • Proud Raven, Panting Wolf: Carving Alaska’s New Deal Totem Parks by Emily L. Moore (University of Washington Press, 2018)
      Review by Christopher W. Smith 94–95

    In Memoriam

    • Joe Fafard, OC, SOM (Métis, 1942-2019), Gloria Bell, PhD (Métis), 106
    • Frank LaPeña (Nomtipom Maidu, 1937-2019), Mariah L. Ashbacher, 107
    • Truman Lowe (Ho-Chunk, 1944-2019), Jean Merz-Edwards, 108

    Related Posts

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    January 19, 2026

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    November 5, 2025

    FAAM No. 47, Summer 2025

    October 25, 2025
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