Issue No. 13, Winter 2016/17

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Features

Zapotec Weaving: The Resurgence of a Cultural Artform, by Kevin Simpson, 22–29
Marked for Life: An Indigenous Tattoo Reawakening, by Lars Krutak, PhD, 30–37
The Tom and Mary James/Raymond James Financial Art Collection, by Michole Eldred (Catawba/Eastern Cherokee descent), 38–43
Neoglyphix Travels North: Anchorage Museum’s Urban Interventions, by Martina Dawley, PhD (Hualapi/Diné), and Dawn Biddison, 44–48

Norman Akers: Osage Painter and Printmaker, by Jean Merz-Edwards, 52–57
Ronald Senungetuk: Iñupiaq Interdisciplinary Artist and Educator, by Nadia Jackinsky, PhD (Alutiiq), 58–62
Marie Watt: Seneca Installation Artist, by heather ahtone (Choctaw/Chickasaw), 64–69
Margaret Roach Wheeler: Chickasaw Textile Artist, by Vicki Monks (Chickasaw), 70–75

Letters to the Editor by Shan Goshorn (Eastern Band Cherokee) and Mario Nick Kimiades, 9
Water Is Life: Native Artists Show Solidarity for Water Protectors at Standing Rock, by America Meredith (Cherokee Nation), Shaun Beyale (Diné), and Starr Hardridge (Muscogee), 14–15
Seven Directions | Callie Chunestudy (Cherokee Nation), 16–17
Exploring Native Graphic Design | Damian Jim (Diné), by Matthew Ryan Smith, PhD, 18–21
Art+Literature: Esther Belin: Diné Poet, by RoseMary Diaz (Santa Clara Pueblo), 98–99
Poem: I. The beckon for liberation …, by Esther Belin (Diné), 100
Poem: Blues-ing on the Brown Vibe, by Esther Belin (Diné), 100–01
Spotlight | We Remain Haudenosaunee, by Carla Hemlock (Kahnawà:ke Mohawk), 96–97

Clara Neptune Keezer (Passamaquoddy, 1930–2016), by America Meredith (Cherokee Nation), 102
Carm Little Turtle (Apache/Tarahumara descent, 1952–2016), by America Meredith (Cherokee Nation), 102
Rollie Grandbois (Turtle Mountain Chippewa, 1954–2016), by RoseMary Diaz (Santa Clara Pueblo), 103
Daphne Odjig (Odawa/Potawatomi, 1919–2016), by Denise Neil (Delaware Tribe/Cherokee Nation), 04–05
Marcus Alfred (Kwakwaka’wakw, 1981–2016), by America Meredith (Cherokee Nation), 105
Annie Pootoogook (Inuk, 1969–2016), by Matthew Ryan Smith, PhD, 106

Albuquerque | As We See It, 516 Arts, Jason Asenap (Comanche/Muscogee), 76–77
Martinsale, MT | Memorial and Identity: Apsáalooke and Hidatsa Ledger Art, Charles M. Bair Family Museum, Yvonne N. Tiger (Cherokee Nation/Seminole/Muscogee), 77–78
Santa Fe | Jicarilla: Home Near the Heart of the World, Wheelwright Museum of the American Indian, RoseMary Diaz (Santa Clara Pueblo), 78–79
Santa Fe | The Lloyd Kiva New Project, IAIA Museum of Contemporary Native Arts, Museum of Indian Arts and Culture, and New Mexico Museum of Art, America Meredith (Cherokee Nation), 80–81
Santa Fe | Patrick Dean Hubbell: Earth; Untitled, Peters Projects, Suzanne Newman Fricke, PhD, 82–83
Santa Fe | much wider than a line: SITElines.2016; New Perspectives on Arts of the Americas, SITE Santa Fe, by Michelle J. Lanteri, 84–85

Antología de poetas kunas, Arysteides Ikuaiklikiña Turpana and Manigueuigdinapi Stanley, ed. (Editorial Urrigan, 2015), review by Peter Szok, PhD, 86–87
Art in Motion: Native American Explorations of Time, Place, and Thought, John P. Lukavic and Laura Caruso, eds. (Denver Art Museum, 2016), review by Jean Merz-Edwards, p. 88
Melvin Sandoval: A Very Special Fetish Carver, Alan Livingstone-Smith (Self-Published, 2016), review by America Meredith (Cherokee Nation), 89–90
Oklahoma Cherokee Baskets, Karen Coody Cooper (The History Press, 2016), review by Suzanne Newman Fricke, PhD, 90–91

Juneau | Celebration 2016, Sealaska Heritage, Kathryn Bunn-Marcuse, PhD, 92–93
New York | Natives, New York Style Fashion Week SS17, by Thollem, 94–95