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    First American Art Magazine
    Home»Archives»2018»FAAM No. 20, Fall 2018

    FAAM No. 20, Fall 2018

    0
    By FAAM Staff on December 12, 2018 2018, Archives
    FAAM 20 Cover
    FAAM No. 20 cover art by Pahponee (Kansas Kickapoo/Citizen Potawatomi).

    Issue No. 20, Fall 2018

    Click here to purchase a digital copy for $7 from Issuu.

    To purchase a print copy, select your location:

    Locations

    Only a limited quantity of print copies of this issue are still available.

    Features

    • Northeastern Ceramics by Matthew Ryan Smith, PhD, 32–39
    • Women Working in Bronze by RoseMary Diaz (Santa Clara Tewa), 42–49
    • Contemporary Native Art Biennial by Lori Beavis, PhD (Mississauga), 26–31
    • Mica Cutouts by America Meredith (Cherokee Nation), 50–53

    Artist Profiles

    • Gwaai Edenshaw: Haida Carver, Filmmaker, and Interdisciplinary Artist by America Meredith (Cherokee Nation), 56–61
    • Mavasta Honyouti: Hopi Woodcarver by Stacy Pratt, PhD (Mvskoke), 62–67
    • Buffy Sainte-Marie: Cree Singer-Songwriter and Digital Artist, by Jason Morgan Edwards (Seminole descent), 68–73
      [Note: At the time of publication, we believed the public account that Buffy Sainte-Marie was Cree and a member of the Piapit Cree First Nation. Unfortunately, the reality is more complex. To read more]
    • Lisa Telford: Haida Basket Marker by Kelly Church (Odawa-Ojibwe-Potawatomi), 74–79

    Departments

    • Recent Developments, 20–21
    • Seven Directions | Lyle Toledo Yazzie (Navajo), 22–24
    • Art+Literature: Waubgeshig Rice: Wasauksing Objibwe Author & Journalist by Matthew Ryan Smith, PhD, 98–100
    • Spotlight | Jamie Okuma (Luiseño, Shoshone, Bannock), Denise Neil-Binion, PhD, 94–95
    • Collections | National Museum of Mexican Art by Andrea L. Ferber, PhD, 101–103
    • Editorial | The Perils of Exhibiting Contemporary Native American Art with Edward Curtis by Suzanne Newman Fricke, PhD, 96–97
    • Calendar, 106–110

    Reviews

    Art Exhibition Reviews

    • Boston | Collecting Stories: Native American Art, Museum of Fine Arts, Boston
      Review by America Meredith (Cherokee Nation), 82–83
    • Devner | Jeffrey Gibson: Like a Hammer, Denver Art Museum
      Review by Scott W. Hale, 83–84
    • Kansas City | Rituals: Porfirio Gutiérrez, Travois
      Review by Andrea L. Ferber, PhD, 85–86
    • Norman, OK | Seeds of Being, Fred Jones Jr. Museum of Art
      Review by Mariah Ashbacher, 86–76
    • Norman, OK | Visual Voices: Contemporary Chickasaw Art, Fred Jones Jr. Museum of Art
      Review by Michelle J. Lanteri, 87–89
    • Salem, MA | T.C. Cannon: At the Edge of America, Peabody Essex Museum
      Review by America Meredith (Cherokee Nation), 89–91
    • Santa Fe | Memory Weaving: Works by Melanie Yazzie, Wheelwright Museum of the American Indian
      Review by Alicia Inez Guzmán (Chicana), PhD, 91–92
    • Santa Fe | Peshlakai Vision, Wheelwright Museum of the American Indian
      Review by Alicia Inez Guzmán (Chicana), PhD, 92–93

    In Memoriam

    • Marlene Riding In Mameah (Pawnee, 1933-2018) by America Meredith (Cherokee Nation), 104
    • Fernando Olivera Acevedo (Zapotec, 1962-2018) by Kevin Simpson, 105

    Related Posts

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    January 8, 2026

    Interwoven: Cherokee, Muscogee (Creek), & Yuchi Baskets

    November 5, 2025
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