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    FAAM No. 40, Fall 2023

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    By on 2023, Archives
    FAAM No. 40 cover
    Cover Dancing of the Robes, Sealaska Heritage Institute, Juneau, Alaska. Photo: Sydney Akagi (Tlingit).

    Issue No. 40, Fall 2023
    (October–December)

    Click here to purchase a digital copy for $7.99 from JooMag.

    To purchase a print copy:

    Features

    • At Kasné Aa: A Brief History of Chilkat Weaving among the Tlingit
      By Zachary R. Jones, PhD, 21–27
    • Unsettling the Southwold Earthworks
      By Matthew Ryan Smith, PhD, 28–33
    • Native Artists Lead the Way at the Center for Native Futures
      By Sheila Regan, 34–39
    • The Diquís Spheres of Costa Rica: A Recently Recognized National Symbol
      By Maria Fernanda Calderon, 40–45

    Artist Profiles

    Diquís sphere, National Museum of Costa Rica
    Precontact stone sphere inside a glass-and-stainless-steel spherical structure, National Museum of Costa Rica. Photo: Axxis10 (CC BY-SA 3.0).
    • Julie Buffalohead: Ponca Draftsperson, Painter, and Printmaker
      By Sheila Regan, 48–53
    • Bonnie Devine: Serpent River Ojibwa Installation Artist, Painter, and Sculptor
      By Andrea L. Ferber, PhD, 54–59
    • Dan Friday: Lummi Glass Artist
      By Matthew Ryan Smith, PhD, 60–65
    • Porfirio Gutiérrez: Zapotec Textile Artist
      By Staci Golar, 66–71

    Departments

    • Recent Developments by Staci Golar and America Meredith (Cherokee Nation), 9–12
    • Seven Directions | Traci L. Morris, PhD (Chickasaw), 15–18
    • Spotlight | Charlene Holy Bear (Standing Rock Sioux), Jingle Dress Dancer
      By Michelle J. Lanteri, PhD, 72–73
    • Art+Lit | Jim Terry: Ho-Chunk Graphic Novelist
      By Matthew Ryan Smith, PhD, 90–93
    • Calendar, compiled by Abby Mikalauskas, Staci Golar, and America Meredith (Cherokee Nation), 94–96

    Reviews and Reports

    • Exhibition Reviews
      • Columbia, SC | Resurgence and Renaissance: Art of the Catawba Nation Since 1973
        Review by Mandy Catoe, 74–75
      • Juneau | Visceral: Verity Legacy Identity, Alaska State Museum
        By Alice Rose Crow, Maar’aq (Yup’ik), 75–77
      • New York | Jaune Quick-to-See Smith: Memory Map, Whitney Museum of American Art
        By Andrea L. Ferber, PhD, 77–78
      • St. Louis, MO | Action/Abstraction Redefined: Modern Native Art, 1940s–1970s, Saint Louis Art Museum
        By Julia Silverman, 79–81
      • Tulsa | Protection: Adaptation and Resilience, Living Arts of Tulsa
        By Stacy Pratt, PhD, 81–82
    • Report
      • Panama City | Mola Museum
        By Peter Szok, PhD, 83–85
    • Book Reviews
      • Project 562: Changing the Way We See Native America, by Matika Wilbur (Ten Speed Press, 2023)
        Review by Shelley Patrick (Mvskoke), 85–86
      • Substance of Stars, edited by Sheryl Conkleton (Heard Museum, 2022)
        Review by Alice Rose Crow, Maar’aq (Yup’ik), 87–88
      • Visualizing Genocide: Indigenous Interventions in Art, Archives, and Museums, edited by Yve Chavez and Nancy Marie Mithlo (University of Arizona Press, 2022)
        Review by Jean Merz-Edwards, 89

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