Close Menu
    Facebook Instagram LinkedIn
    • Subscribe
    • Advertise
    • Contact Us
    Indigenous art. Indigenous perspectives.
    Facebook Instagram LinkedIn Pinterest
    First American Art Magazine
    • Home
    • About Us
      • Press
      • Distribution
      • Sponsors
      • Contact Us
      • Refund and Returns Policy
    • Current Issue
    • Past Issues
      • Archives
      • FAAM Index
    • Content
      • Articles
      • Blog
      • Reference
        • Acronyms
        • Art Terms
        • Artist and Scholar List: A–F
        • Museums, Galleries, and Other Art Venues
        • Timeline of Indigenous Art History of the Americas
    • Calendar
      • Submit an Event
    • Submissions
      • FAAM Style Guide
    • Advertise
    • Subscribe
      • Magazine
      • Monthly Newsletter
    0 Shopping Cart
    First American Art Magazine
    Home»Web Content»Blog»Holding Space: Indigenous Baskets in Miniature

    Holding Space: Indigenous Baskets in Miniature

    0
    By FAAM Staff on September 23, 2025 Blog, Web Content

    Holding Space: Indigenous Baskets in Miniature

    A tiny exhibition of tiny baskets, curated by America Meredith (Cherokee Nation)

    Ramona Lossie
    Ramona Lossie Baith (Eastern Band Cherokee, 1964–2025), Miniature Market Basket, 2010, white oak splits, dye, North Carolina

    September 30–December 15, 2025
    Charles M. Russell Center
    409 W. Boyd Street, Norman, OK | map

    Artists Featured

    • Sissy Alex (Mississippi Choctaw)
    • Joe Allen (Fallon Paiute)
    • Ramona Lossie Baith (Eastern Band Cherokee, 1964–2025)
    • Kelly Church (Gun Lake Potawatomi/Odawa/Ojibwe)
    • Vivian Cottrell (Cherokee Nation)
    • Scarlet Darden (Chitimacha)
    • George Edward Goins Jr. (Eastern Band Cherokee)
    • Mary Felix (Yup’ik)
    • Sue Fish (Chickasaw)
    • Kendall Florez (Warm Springs)
    • Faye Greiner (Catawba, 1967–2025)
    • Yonavea Hawkins (Caddo/Delaware/Kickapoo)
    • Denise Jock (Akwesasne Mohawk, Turtle clan)
    • Glenda McKay (Deg Xitʼan)
    • Oderay Opua (Wounaan)
    • Jeanette Sahneyah (Hopi)
    • Eva Salazar (Kumiai, San José de la Zorra)

    Holding Space

    Basketry is a beloved Native art form, here in Oklahoma and in other regions where Native basketry thrives. The late 19th and early 20th centuries witnessed the “basket craze,” when Euro-American collectors couldn’t get enough of Native baskets from their journeys through Indian Country. Baskets meant economic survival for many tribal communities.

    Baskets are utilitarian artworks—a positive trait in the Arts and Crafts movement but a negative in mainstream Western modernist art. However, most of these baskets are miniature, rendering them non-utilitarian.

    The term basket maker honors an artist who does the hard work of harvesting, pounding, scraping, and dyeing basketry materials. The weaving is typically the easiest and quickest work in the entire process.

    They are captured essences of the landscapes from which they emerge: swampy tule rushes, towering cedar trees, fragrant sweetgrass, tough desert yucca, or even hair from horses’ tails and manes. Basketry is portable land art; a microcosm of its environments.

    —America Meredith (Cherokee Nation)

    Visual Exhibition

    See the entire mini-exhibition online through Matterport, thanks to Sharon Burchett!

    Opening Reception

    Tuesday, September 30, 2025. Comments by basket weavers Kathy Haney (Seminole/Muscogee/Shawnee/Delaware) and Yonavea Hawkins (Caddo/Delaware/Kickapoo)


    Links

    • Charles M. Russell Center, 409 W. Boyd Street, Norman, OK | link | Facebook | Instagram
    • Oklahoma Native American Basketweavers, nonprofit based in central Oklahoma | Facebook
    • Yonavea Hawkins (Caddo/Delaware/Kickapoo), beadwork artist, painter, basket weaver | link | Facebook | Instagram
    • Oklahoma Cherokee Baskets (Arcadia Publishing, 2016), by Karen Coody Cooper (Cherokee Nation) | link

    Related Posts

    Launch Party 49 | First American Art Magazine Celebrates Issue No. 49

    January 26, 2026

    Edmonia Lewis: Said in Stone at the Peabody Essex Museum

    January 8, 2026

    Meet FAAM’s New Operations Manager, Jessica Ma’ilo

    December 22, 2025
    Leave A Reply Cancel Reply

    Woven in Wool, Burke Museum
    Water's Edge: The Art of Truman Lowe. Now Open. NMAI, Washington, DC
    Ancestral Edge at the Ringling Museum
    Sign up for FAAM Art Beat newsletter
    Sign up for FAAM Art Beat newsletter
    Cherokee Language Publishing
    Indigenous Editors Association
    Indigenous Editors Association
    Mission Statement

    First American Art Magazine, LLC (FAAM), broadens understanding of art by Indigenous peoples of the Americas from tribal communities to the global art world.

    Subscribe to FAAM Art Beat, our free monthly newsletter

    Vision Statement

    First American Art Magazine, LLC, strives to foster historical resilience, cross-cultural understanding, and reintegration of humans into the natural world.

    turtleshell rattle by Tommy Wildcat

    First American Art Magazine's offices are located within the ancestral homelands of the Wichita and Affiliated Tribes and the historic territories of the Muscogee Nation and the Seminole Nation of Oklahoma.

    Contact Us

    First American Art Magazine
    3334 W. Main St. #442
    Norman, OK 73072
    (405) 561-7655

    info@firstamerican.art
    ads@firstamerican.art
    circulation@firstamerican.art

    Site Admin

    © 2026 First American Art Magazine, LLC. All rights reserved.

    Type above and press Enter to search. Press Esc to cancel.