Issue No. 25, Winter 2020

Features

Mazinibaganjigan: Pictures Bitten on Bark
by Adriana Greci Green, PhD, 18–23
Seminole, Quinault, and Quileute Sharing Arts and Cultures: A 3,500-Mile Journey
by Jessica Osceola (Seminole Tribe of Florida), 24–29
One Nation’s Vision: How the Chickasaw Nation Creates Culture and Community through the Arts
by Vicki Monks (Chickasaw), 30–35
Instruments of Passion: Collecting Native Art
by RoseMary Diaz (Santa Clara Tewa), 36–39
Collecting Native Art with a Plan
by America Meredith (Cherokee Nation), 40–42

Brian Adams: Iñupiaq Photographer
by Nadia Jackinsky-Sethi, PhD (Alutiiq), 44–49
Heidi K. Brandow: Diné/Kanaka Māoli Painter
by Suzanne Newman Fricke, PhD, 50–55
Keith BraveHeart: Oglala Lakota Painter and Filmmaker
by Matthew Ryan Smith, PhD, 56–61
Jaune Quick-to-See Smith: Salish/Métis/Cree/Shoshone-Bannock Cultural Arts Worker
by Andrea L. Ferber, PhD, 62–67

Recent Developments, 10–13
Seven Directions: Micah Wesley (Kiowa/Muscogee), 14–17
Art+Literature | Eli Baxter: Ojibway Author,
Educator, and Knowledge-Keeper
by Matthew Ryan Smith, PhD, 83–86
Gordon Coons (Lac Courte Oreilles Ojibwa/Ottawa), 87
Collections | Nerman Museum of Contemporary Art
by Andrea L. Ferber, PhD, 90–93
Spotlight | Mama and Papa Have the Going Home Shiprock Blues by T. C. Cannon (Kiowa/Caddo, 1946–1978)
by America Meredith (Cherokee Nation), 88
Calendar
by Travis D. Day and America Meredith (Cherokee Nation), 94–96

Madison, WI | Ho-Chunk Art: Sharing our Sacred Voices Through our Art, Overture Center for the Arts
Review by Michael Muckian, 68–69
New York | Alan Michelson: Wolf Nation, Whitney Museum of American Art
Review by Marina Tyquiengco (Chamorro), 69–71
Norman, OK | Misunderstood! Indigenous Art and Poetry as Political Resistance, Fred Jones Jr. Museum of Art, University of Oklahoma
Review by Michelle J. Lanteri, 71–72
Phoenix | David Hockney’s Yosemite and Masters of California Basketry, Heard Museum
Review by Bryn Barabas Potter, 72–74
Pojoaque Pueblo | Di Wae Powa: They Came Back, Poeh Cultural Center
Review by RoseMary Diaz (Santa Clara Pueblo), 74–76
Sacramento | When I Remember I See Red: American Indian Art and Activism in California, Crocker Museum
Review by Melissa Melero-Moose (Northern Paiute/Modoc), 76–77
Wewoka, OK | Altars of Reconciliation, Seminole Nation Museum
Review by Mariah L. Ashbacher, 77–78

Becoming Mary Sully: Toward an American Indian Abstract by Philip J. Deloria (University of Washington Press, 2019)
Review by Mariah L. Ashbacher, 79–80
Bury My Heart at Chuck E. Cheese’s by Tiffany Midge (University of Nebraska Press, 2019)
Review by Stacy Pratt, PhD (Mvskoke), 81
Hearts of Our People: Native Women Artists, Jill Ahlberg Yohe and Teri Greeves, eds. (University of Washington Press and Minneapolis Institute of Art, 2019)
Review by Jean Merz-Edwards, 82

Bruce King (Oneida Nation, 1954-2019)
by American Meredith (Cherokee Nation), 89